Watabe: The moment I encountered Edo Kiriko, it was love at first sight. I was searching for something to master as a craftsman, and the brilliance of Edo Kiriko captivated me. The instant I touched its beauty, I was sure that this was my path.

Watabe: The appeal of Edo Kiriko lies in its brilliance. When I'm in a good mood, its sparkle brightens my spirits even further, and when I'm down, it soothes my heart. Edo Kiriko is not just a craft; it's a presence that comforts my heart in everyday life.

Watabe: What I particularly like is the M-58-BP. The harmony of its shape, color, and design is superb. While it's a sake cup, the "osae" that widens towards the bottom efficiently removes color, maximizing its brilliance. The "Kikutsunagi" (chrysanthemum chain) pattern, in particular, is profound, a masterpiece that exquisitely blends tradition and modernity.

Watabe: For first-time Edo Kiriko buyers, I recommend the same M-58-BP. Its design, which maximizes Saihou's original blue-pink color, possesses a delicate yet classic charm, and the "Hachikagome" (octagonal basket weave) pattern creates a balance that appeals to all ages.

Watabe: In recent years, I feel that Edo Kiriko is reaching its limits due to an overemphasis on traditional patterns. I believe that now is the era when "artistic" individuality is required. However, if we go beyond the bounds of tradition, it is no longer "Edo Kiriko" but merely a "glass artwork." Defining that boundary of recognition is the challenge moving forward.